Saturday, January 25, 2020

The Background Of Food Tourism Tourism Essay

The Background Of Food Tourism Tourism Essay This chapter will explain the background of food tourism. The researcher will explain why food tourism is a niche activity and what the benefits of niche tourism are. This chapter will also outline the interaction between food and tourism. Furthermore, the researcher will describe the trends shaping the tourists interest in food. This chapter will then analyse the recognition of food tourism internationally, most notably within countries such as Canada and Whales. Finally, the researcher will investigate the food tourism industry in Ireland and examine how Ireland measures up as a food destination when compared to international standards. Food tourism, which can also be referred to as gastronomy or culinary tourism is increasing as an area of research among tourism scholars (Hall, Sharples and Mitchell 2003; Smith and Xiao 2008). In 1998, folklorist Lucy Long first defined the relatively new term food tourism as intentional, exploratory participation in the foodways of another participation including the consumption, preparation and presentation of a food item, cuisine, meal system, or eating style considered to belong to a culinary system not ones own (Chrzan 2006; International Culinary Tourism Association 2010; Long 2004). This definition indicates travelling with the intention of experiencing other cultures through their food (Chrzan 2006). However, Smith et al (2008) argue that Long`s definition is exclusive and narrow, limiting food tourism to food experiences belonging to another culture. In contrast to Long`s definition, the International Culinary Tourism Association (ICTA) (2010) define food tourism as the p ursuit of unique and memorable culinary experiences of all kinds, often while travelling, but one can also be a culinary tourist at home. This definition explains food tourism in its broadest sense and includes all culinary experiences from Michelin star restaurants to local bakeries or cookery schools (Chrzan 2006; ICTA 2010). Furthermore, the ICTA (2010) explain that local residents can be culinary tourists in their own town simply by breaking their routine and trying out new restaurants. Erik Wolf, President and Chief Executive Officer (CEO) of the ICTA explains that true culinary tourists are perfectly happy at a roadside cafà © in the middle of nowhere, as long as there is something positively memorable about their dining experience (Wolf 2006, p.2). 2.3 Food Tourism as a Niche Activity According to Novelli (2005) niche tourism or special interest tourism is one of the fastest growing areas within the tourism sector. Douglas, Douglas and Derrett (2001) concur and believe that the growth of niche tourism is seen as a reflection of the increasing diversity of leisure interests among the twenty-first century tourist. The traditional two week sunbathing holiday abroad has given way to niche tours catering for peoples special interests (Collins 1999). The term niche tourism is largely borrowed from the term niche marketing. In marketing terms, niche refers to two inter-related ideas. First that there is a place in the market for a product, and second, that there is an audience for this product (Novelli 2005, p.4). Therefore, the clear premise of a niche market is a more narrowly defined group, whereby the individuals in the group are identifiable by the same specialised needs or interests, and are defined as having a strong desire for the products on offer (Novelli 2005) . This can be customised to refer to a specific destination tailored to meet the needs of a particular market segment, for example, a wine growing region can position itself as a niche destination offering tours of its specific wines. The size of a niche market can vary considerably, however it allows the market to be broken into relatively large market sectors macro-niches; for example cultural, rural or sport tourism which can then be divided into precise market segments micro-niches, for example geo, food or cycling tourism (Deuschl 2006; Novelli 2005). Niche tourism has been frequently referred to in tourism policy and strategy documents in recent years in opposition to mass tourism (Hall et al 2003; Novelli 2005). The connotations of a more tailored and individualised service carries its own cachet relating to features like the small scale of operations, implied care and selectivity regarding discerning markets, and a suggested sensitivity of tourists (Novelli 2005, p.6). Such features provide a more suitable fit with planning and development policies relating to environmentally sustainable and socially caring tourism. For these reasons, organisations such as the World Tourism Organisation (UNWTO) and the World Travel and Tourism Council (WTTC) view niche tourism consumption as more of a benefit to the host communities when compared to the more traditional forms of mass tourism (Hall et al 2003; Novelli 2005). Furthermore, niche tourism is also seen as a mechanism for attracting high spending tourists. Take for example the concept of cookery school holidays, a market which is expanding year by year (Sharples 2003). Google Insights (2010) show a consistent web search interest in cookery holidays over the years 2004 to 2010, with particular interest from the United Kingdom (UK) and the United States (US). Ballymaloe Cookery School, located in one of the most scenic areas of Ireland, East Cork is one of Europes foremost cookery schools. The school which is run by well known cooks Darina and Tim Allen has attracted people of all ages and abilities, from all over the world since its opened in 1983. The courses range from simple one (average price à ¢Ã¢â‚¬Å¡Ã‚ ¬125) to two day courses (average price à ¢Ã¢â‚¬Å¡Ã‚ ¬575), based on a certain theme, such as baking, finger food, salads or pasta dishes, to more lengthy week long courses (at an average price of à ¢Ã¢â‚¬Å¡Ã‚ ¬895). An analysis of their website showed that some cookery courses are booked out with an option to join a waiting list (Ballymaloe Cookery School 2010; Sharples 2003). 2.4 The Interaction between Food and Tourism Although it is agreed that food tourism is a niche activity, Novelli (2005) categorises food tourism as a subset of rural tourism due to its roots in agriculture. Wolf (2006, p.6) contradicts and illustrates food tourism as a subset of cultural tourism because cuisine is a manifestation of culture. Everett (2008, p.337) agrees with Wolf and suggests that food tourism provides a conceptual vehicle for pursuing a more culturally aware tourism agenda. It can be assumed that food is representative of a culture, take for instance Italy, a country which is known throughout the world for its pizza and pasta dishes. Nevertheless, food tourism is a newly defined niche that intersects and impacts on the long entwined travel and food industries (Wolf 2006). Food is a vital component of the tourism experience. Selwood (2003) suggests that food is one of the most important attractions sought out by tourists in their craving for new and unforgettable experiences. A growing body of literature sugge sts that food can play an important role in the destination choice of tourists, and more significantly, in visitor satisfaction (McKercher, Okumus and Okumus 2008). The food consumed by tourists in a place is part of the tourists memory of their visit to that particular holiday destination (Failte Ireland 2009a; Fitzgibbon 2007). Henderson (2009) explains that food and tourism have a very close relationship as food is a critical tourism resource. Food is vital for physical sustenance and all tourists have to eat when travelling. However, both Henderson (2009) and McKercher et al (2008) declare that the desire to try different foods may act as a primary motivator for some, or part of the bundle of secondary motivators for others. Culinary tourists are drawn by the opportunity to consume, and dining out is a growing form of leisure where meals are consumed not out of necessity but for pleasure (Smith et al 2008). Much of the literature on food tourism refers to the concept of visualis m as epitomised by Urrys tourist gaze (Urry (1990) as cited in Everett 2008, p.340). Everett (2008) discovered that viewing windows are being built in food tourism sites in an effort to meet an increasing demand for a more embodied, immersive and authentic food tourism experience. Theses viewing windows bring the producer closer to the consumer and allow the tourist to gaze into the backstage of food production activity (Everett 2008, p. 340). As previously mentioned, all tourists have to eat when travelling. Therefore, from an economic point of view, 100% of tourists spend money on food at their destination (Wolf 2006). Yet, data on food tourism appears scarce. Selwood (2003, p.178) explains that food is a very much overlooked and unsung component of tourism literature. Hall et al (2003, p.1) agree and cite food, just like tourism, was for many years a fringe academic discipline, and was frowned upon as an area of research by students. Typically, food is placed together with accomm odation in collections of tourism statistics, partly because it is almost always part of another attraction, and also because of it being a necessary element of survival no matter where a person is located (McKercher et al 2008; Selwood 2003). As the ICTA (2010) point out, the more that food is accepted as a main stream attraction by destination marketers, the more research that will be done to further develop and justify this niche activity (ICTA 2010; Wolf 2006). Hashimoto and Telfer (2006) refer to the Canadian Tourism Commission (CTC) who has recognised the growing interest in cuisine and have begun to promote Canada as a food tourism destination. The CTC (2010) highlight local Canadian cuisine as one of the top five unique selling points on offer in the country. Furthermore, dining out is one of the most popular activities undertaken by Canadian tourists (Selwood 2003). Hashimoto et al (2006) cite that Canada has approximately 63,500 restaurants and Canadians themselves spend CAN$39 billion annually in restaurants, eating out on average 4.7 times a week. The contribution of food to the Canadian tourism economy is of considerable importance and, because of their intensive use of labour, food preparation and food services also contribute very heavily to the tourism employment sector. In Canada, nearly a million people work in the foodservice industry and the promotion of local cuisine is therefore an effective way of supporting local economies along with agricultural production (Hashimoto 2006; Selwood 2003). The importance of food to the tourism industry has increased significantly within the last ten years, according to the Welsh Assembly Government (2009). They believe that the availability of high quality, local food has become a key driver for tourists when selecting a holiday destination. A Food Tourism Action Plan has been drawn up to promote W ales as a destination where high quality and distinctive food is widely available. Currently visitors on short breaks in Wales spend 18.7% of their holiday spend on food and drink whereas visitors on longer holidays spend 17.8% (Welsh Assembly Government 2009). Research carried out by the Travel Industry Association in conjunction with the Gourmet Tourism Association and the ICTA reported in March 2007 that over the previous three years 27 million travellers engaged in culinary or wine related activities, while travelling throughout the world. Therefore, the Welsh Government believe that there is a clear demand for culinary experiences, and outlets which promote and market high quality Welsh food and drink for consumption or purchase (Welsh Assembly Government 2009, p.3). 2.5 Travel Trends As previously mentioned, some tourism agencies such as the CTC have begun to recognise the growing interest in food and have embarked on the promotion of their destination as a food tourism location. However, the question arises as to the trends which are shaping the tourists interest in food. Nowadays, modern food tourists are better educated and have travelled more extensively, therefore they are culinary savvy and want to experience individualism as they search for local, fresh and good quality cuisine that reflects the authenticity of the destination (Chon, Pan, Song 2008; Yeoman 2008). Moreover, the influence of the media and the emergence of niche food programmes have influenced the tourism industry as celebrity chefs such as Gordon Ramsey and Jamie Oliver increase our interest in good quality food. Furthermore, the media is now full of magazines, such as Food Travel, Intermezzo, Cuisine, Gourmet Traveller, Australian Gourmet Traveller; radio shows and even entire lifestyle channels, such as Good Food or the Food Network which clearly connect food and tourism. In addition, the world is online. Whether through computers or mobile phones people can constantly read and talk about food, nowadays people blog about it, online restaurant reviews are instantly available and Tripadvisor now produce a list of the best places to eat in each country (Yeoman 2008). According to Chon, Pan, Song (2008) travel trends are becoming more activity-interest based rather than destination based. More and more travellers are deciding what activities they want to take part in first and then choosing the destination which offers them. Many of todays leading destinations offer superb accommodation and attractions, high quality service and facilities and every country claims unique culture and heritage. A s a result, the need for destinations to promote a differentiated product is more critical than ever in order to survive within a globally competitive marketplace (Morgan and Pritchard 2005). Food tourism shapes culinary destinations such as France, Italy and California whereas in emerging destinations such as Croatia, Vietnam and Mexico food plays an important part of the overall experience. Food is essential to the tourist experience, it can change the image of a destination, take for example the city of Las Vegas which was a renowned gambling destination where cuisine was barely an afterthought. This changed dramatically in 1992 when Wolfgang Puck became the first celebrity chef to come to Las Vegas when he opened Spago at the Caesars Palace Forum Shops.   He started a growing culinary revolution in Vegas which paved the way for fine dining restaurants.   At present, majority of the hotels and/or casinos in Vegas have celebrity chef restaurants attracting many tourists eager to sample the best cuisine money can buy (Wolfgang Puck 2010).   There are currently sixteen Michelin Star restaurants in Las Vegas, with Joel Robuchons Restaurant at the MGM Grand currently holding three Michelin stars (Quezada 2010). 2.6 Food Tourism in Ireland According to a Mintel report on Ireland, published in 2009, the food tourism market outperformed the overall tourism market between 2003 and 2007, however, neither has been immune to the effects of the global economic slowdown which has caused the value of the food tourism market to decline by 4% in 2008, and the value of the broader tourism market to decline by 3%. The market for food tourism in Ireland was worth à ¢Ã¢â‚¬Å¡Ã‚ ¬2.23 billion in 2008. Nonetheless, this figure was a decrease of 4% on 2007 figures and brought an end to a 26% increase between the years 2003 to 2007 (Mintel 2009; Fitzgibbon 2009). According to Tracey Coughlan (2009) from Failte Ireland, the most appealing activities for tourists in Ireland stand as heritage, natural amenities and sports. Sinead OLeary (2002) agrees and in her study of Qualitative and quantitative images of Ireland as a tourism destination in France, French visitors to Ireland were asked to describe their image of Ireland in terms of commo n attribute-based components and holistic aspects. Her findings show that the key images of Ireland remain the welcoming people, the beautiful scenery and the relaxed pace of life. Unfortunately, food did not get a mention, however, beer; most notably Guinness was cited by 37% of French Tourists as an image which is most readily associated with Ireland. This suggests that food has a lower priority when it comes to the primary purpose of visits and as Coughlan (2009) illustrates this is not just among French tourists. Nevertheless, as demonstrated above, the food tourism market is strong; therefore a gap exists in Ireland for a strategic approach to food tourism and the more demanding culinary tourist. As mentioned in the introduction Failte Ireland proposes to develop a Food Tourism Ireland strategy in the future. However, no report has of yet been published by Failte Ireland in relation to Irelands approach to the development of food tourism. Ireland has a wealth of natural opportunities at its doorstep, for example food festivals, fine artisan producers, food trails, high quality local farmers markets and world class cookery schools such as Ballymaloe Cookery School or Dunbrody Cookery School. It can be assumed that such images of Irish food festivals or Irish farmers markets would be beneficial from a food tourism perspective. Tracey Coughlan of Failte Ireland stated that The quality of our food ingredients is recognised worldwide as excellent in terms of both quality and authenticity. While Irish cuisine may not be as renowned as those of our neighbours on the continent, the strength of our basic ingredients beef, lamb, and dairy are a strong selling point. It is therefore suggested that in these challenging times, continuing to create demand for our tourism product is vital. Specialist areas like food and annual events like Harvest Feast are very important in this regard (Failte Ireland 2009). Furthermore, Mintel (2009) report that the quality of food coupled with the availability of local produce are the most influential factors for tourists w hen choosing somewhere to eat. Mintel (2009) also point out that online reviews and guides such as the Michelin guide, the Michelin Pub Guide, and the Bridgestone Guide can be exceptionally influential on tourists choices. However, it must be realised that Ireland face challenges in its task to stimulate further demand from a food tourism perspective. The perception that Irish food is expensive, service related issues (a consistent level of quality is required), Irish food cost issues and the lack of innovation to create new food experiences are of concern (Coughlan 2009). It is therefore suggested that Ireland must build on the success of its food export market and take advantage of its natural opportunities. All the relevant agencies and bodies in Ireland must work together in order to develop a food tourism Ireland strategy which will fully integrate into and support the broader national and regional tourism development objectives. 2.7 Summary According to the literature, food tourism is increasing as an area of research among tourism scholars. However, data on food tourism is scarce. Although primarily a niche activity with a defined and reachable market, food tourism can have an extensive impact on every holiday experience as all tourists have to eat. This creates a connection between the food source and the food destination, as the food consumed by tourists in a place is part of the tourists memory of their visit to that particular holiday destination. As explained, travel trends are becoming more activity-interest based rather than destination based. Furthermore, modern food tourists are better educated and have travelled more extensively. It is apparent from the research that the influence of the media has a major part to play in the recognition of food tourism. Online reviews and guidebooks can be exceptionally influential on tourists choices. As demonstrated above, the food tourism market in Ireland is strong, despi te the lack of a food tourism strategy. Although some issues arise, overall, Ireland has a wealth of natural opportunities available, all of which could be used for the promotion of food tourism. Some tourism agencies such as the CTC have begun to recognise the growing interest in food and have begun to promote Canada as a food tourism destination. It is evident that the interest in food tourism spans across all age groups and the size of the potential market is large. Further analysis of the culinary tourist will be examined in the next chapter.

Friday, January 17, 2020

Consumer Culture Theory (CCT): Twenty Years of Research Essay

Past 20 years: Flurry of Research and studies abot aspects of consumption. CCT presents a non-exhaustive overview about consumption and marketplace behavior: A family of theoretical perspectives that address the dynamic relationships between consumer actions, the marketplace, and cultural meanings. Culture is not seen as a homogenous system of collective meanings, way of life and unified values ( eg. Americans / Asians). CCT explores cultural meanings as being numerous and fragmented – A heterogenous distribution of meanings. Culture therefore is an aglomeration of heterogeneous meanings and different cultural groupings, which are overlapping within a sociohistoric frame and mediated by markets. Consumer culture is viewed as â€Å"social arrangement in which the relations between lived culture and social resources, between meaningful ways of life and the symbolic and material resources on which they depend, are mediated through markets† and consumers as part of an interconnected system of commercially produced products and images which they use to construct their identity and orient their relationships with others. CCT conceptualizes culture as the very fabric of experience, meaning and action It frames consumers’horizons of conceivable action, feeling, and thought, making certain patterns of behavior and sense-making interpretations more likely than others. Demythologizing CCT (3 major misunderstandings in CCT) CCT does NOT particularly study consumption contexts. Theorists study in consumption contexts to gather theory and insight. Investigation of cultural dimensions of consumption IN context. The primary differences between CCT and other traditions of consumer Research are NOT only methodological. Qualitative data and an array of related data collection and analysis techniques have been quite central to CCT, however this methodological predilection follows from the aims that drive CCT rather than from a passion for qualitative data or vivid description per se. CCT focuses on the experiential and sociocultural dimensions of consumption that are not plainly accessible through experiments. (product symbolism, ritual practices, the consumer tories). CCT researchers do not only rely on qualitative methodologies but actually embrace methodological pluralism. CCT research is misperceived in some disciplinary quarters as a sphere of creative expression and managerial irrelevance. However, subsequent developments, such as customer relation management, lifestyle and multicultural marketing, and the proliferation of so-called identity brands, have brought consumer meanings to the center of managerial concerns, and consequently ethnographic methods have become commonplace in applied market research. An understanding of consumer symbolism and lifestyle orientations is essential to successful marketing strategies Illuminating CCT Investigation of the contextual, symbolic, and experiential aspects of consumption as they unfold across a consumption cycle that includes acquisition, consumption and possession, and disposition processes and analysis of these phenomena from macro-, meso-, and micro-theoretical perspectives ? symbolic, embodied, and experiential aspects of acquisition behavior. Consumption and possession practices, particularly their hedonic, aesthetic, and ritualistic dimensions have perhaps been the most widely studied constellation of phenomena identi? ed with the CCT tradition Consumer culture theory explores how consumers actively rework and transform symbolic meanings encoded in advertisements, brands, retail settings, or material goods to manifest their particular personal and social circumstances and further their identity and lifestyle goals. Research programs CCT Research cut across the process-oriented categories of acquisition, consumption, and disposition in way that the theoretical scope of marketing research transcends the 4Ps framework. It has advanced consumer behavior with knowledge of sociocultural processes and structures of: Consumer identity projects: Marketplace is seen as a source of symbolic values and consumers as Identity seekers and – makers. It includes several studies on ways in which consumers pursue personally edifying goals and create a coherent self-identity through consumption and the marketplace in general. Marketplace culture: features of the marketplace-culture intersection. Consumers are seen as culture producers (Traditionally Anthropological: people as culture bearers). How does the emergence of consumption as a dominant human practice reconfigure cultural blueprints for action and interpretation? â€Å"creation of consumption worlds or microcultures through the pursuit of consumption† Sociohistoric patterning of consumption: s the institutional and social structures that systematically influence consumption (class, community, ethnicity, gender). Consumers = enactors of social roles and positions. Study of â€Å"Consumer society† (influence of gender, ethnicity, social class hierarchy, families) Mass-mediated marketplace ideologies and consumers’ interpretive strategies: Normative message s about consumption transmitted by media and consumers’ response. Consumers are perceived as interpretive agents, that either tacitly embracing the dominant representation of consumer identity and lifestyle ideals portrayed in the media or consciously deviating from these ideological instructions Consumer ideology as a systems of meaning that tend to channel and reproduce consumers’ thoughts and actions in such a way as to defend dominate interests in society. It is increasingly influenced by economic and cultural globalization. Cultural production systems (e. g. marketing communications) orient consumers toward certain ideologies or identity projects. (raising criticisms of identity play, capitalism and marketing) Basically, CCT is concerned with Cultural Meanings, Sociohistoric Influences and Social Dynamics that shape consumer experiences and identities. Consumption is seen as a historically shaped mode of sociocultural practice within the structures and ideological imperatives of dynamic marketplaces.

Thursday, January 9, 2020

Crime As A Social Matter - 902 Words

With the ever-growing crimes in Paris, crimes became a social matter and not an individual matter. Instead of looking for the problem within an individual, it needs to be looked for in society to overcome the deadly violences. In 1930s Paris, Maza mean by a ‘culture of crime’ as a time period where a large number of crimes have occurred including the famously reported and hidden away in secrets. The importance of the ‘culture of crime’ allowed movement and flexibility of the lower social class to a family of bourgeois and for women to stand up to men to stop sexual abuse. The increasing number of crimes in Paris, this allowed for the establishment for low to middle classes to pursue the life of a bourgeois. No longer was there only three social classes, instead classes in between the existing ones started to show such as the low-middle class or the middle-high class. This phenomenon started with the crime news category in daily newspapers called faits divers, which was the inspiration for the best magazine, Dà ©tective, that served as the reader’s eyes and ears of criminal and dangerous milieus (180). It changed the families of skilled workers because brought thrills and a sense of connection, of the up to date on the information of the city’s foul deeds right in their own living room since it was affordable at the price of one franc fifty. It was essential to know what kind of unlawful act occurred and where it took place as a reassurance to ones safety because the wrongfulShow MoreRelatedChicago Torture Video : 4 Changes With Hate Cri mes, Kidnapping1339 Words   |  6 Pagesâ€Å"Chicago Torture Video: 4 Changes with Hate Crimes, Kidnapping† by CNN. The event is about the four young people who kidnapped and tortured a disabled white man on the 6th of January 2017. 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Wednesday, January 1, 2020

Essay Analysis of Norman Bates - 1170 Words

The character I chose to analyze is Norman Bates. Norman Bates originated as the main character in Alfred Hitchcocks movie Psycho. In the movie Psycho, Norman is a middle-aged who runs a motel. He is a psychotic serial killer with many psychological issues. More recently Norman Bates became the main character in a television show called Bates Motel. In the show, we see Norman in his teenage years. This is where we see Normans psychological issues begin to develop. As a teenage Norman, we also get to see more of Normans relationship with his mother. When Bates Motel begins, Norman seems to be a normal teenage boy, who is a bit of an introvert. He prefers school work and reading to going out and being social. He has an extremely†¦show more content†¦Then we see Norman go a little crazy. She kills a man, stabbing him several times after he attempts to rape her. Norman sees it and helps his mom cover it up. We see him as he begins to black out and can see him change. Norman also seems to hallucinate while in these black-outs or fugue states. He sees his mom who tells him while he is in this state that everything is his fault and he needs to fix it. However in the process he gets woken up. His mom then asks what he is doing and he tells her he is doing what she told him to do. She says that she did not tell him to do that. She then realizes that Norman is having blackout episodes but protects him instead of getting him help. Norman can not remember anything from his fugue states. Later we learn that Norman killed his dad. His dad was fighting with Norma and it was getting physical. Norman was washing dishes and blacks out and then hits his dad over the head killing him. Norma is shocked and then tells Norman to go to his room, as he is still out of it and he goes to his room. That is when Norma moves the body to the garage and sets it up like he died from an accident. She protects Norman. 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Theories proposed by Sigmund Freud and other research comparing the relation between psychopathy and environment can help to rationalize the reasons behind Norman Bates’ unsuccessful childhoodRead MoreThe Analysis of the Film Psycho by Alfred Hitchcock Essay1450 Words   |  6 PagesThe Analysis of the Film Psycho by Alfred Hitchcock Write a magazine article in which you discuss Psycho’s Enduring appeal as one of the great films of cinema. Discuss some specific techniques used by Hitchcock which create tension and suspense for the audience. With lower budgets, very basic special effects and black and white picture, Alfred Hitchcock’s psycho still manages to grind out the suspense to compete with today’s blockbuster hits. With some of the mostRead MoreAnalysis Of Alfred Hitchcock s Use Of Mis En Scene1312 Words   |  6 Pagesmurder by the hotel manager. (Coon, 2012) What contrasts between Psycho and Rear Window is the idea of exhibitionism. Unlike Rear windows cluster of buildings, in Psycho the setting of the Bates motel is a mere two buildings placed at a distance from each other. This separation metaphorically portrays the split in Normans personality, ultimately creating a more imaginative asks of the audience, rather than their ability to bare witness. (Coon, 2012) Since ‘Rear Window’ is structured primarily on a visualRead MoreFilm Analysis of Alfred Hitchcocks Psycho2250 Words   |  9 PagesFilm Analysis of Alfred Hitchcock’s â€Å"Psycho† Introduction â€Å"Psycho† (1960) is based on a novel of the same name by Robert Bloch. The film was directed by Hollywood legend, Alfred Hitchcock. The screen play was written by Joseph Stephano and based on the real life crimes of serial killer, Ed Gein. The film stars Janet Leigh, Anthony Perkins, John Gavin and Vera Miles. The film garnered four academy award nominations and widely regarded as one of Hitchcock’s best films. It spawned two sequels, aRead MorePsycho And A Game Of Thrones1608 Words   |  7 Pagesdecision or not. When she meets with motel owner Norman Bates, a discussion about self-imprisonment arises, this then leads Marion to ironically figure out that her unforgettable act for freedom has in fact imprisoned her as she is now a fugitive must be on the run for the rest of her life or spend time in prison. Self-imprisonment is shown when Marion says â€Å"Sometimes†¦ we walk into those traps deliberately†¦Ã¢â‚¬  As Marion finishes dining with Norman she returns to her room and decides to face the consequencesRead MoreCrime: A Popular Genre in Literature and Films1232 Words   |  5 Pagessystem. This paper focuses on four crime texts that are formally innovative, calling into question the applica bility of traditional moral values (right versus wrong), and the ease with which even ordinary people can become implicated in crime. The analysis progresses in chronological order, beginning with three film texts Double Indemnity (1944), Rear Window (1954), Psycho (1960) and culminating in an examination of Tom Stoppards 1968 play The Real Inspector Hound. Through examining the formal structureRead MoreAnalysis of Psycho Essay1989 Words   |  8 PagesAnalysis of Psycho Psycho, originally released in 1957 as a novel written by Robert Bloch, is now better known as a film by the true master of suspense, Alfred Hitchcock. The version was first viewed by the audience on a big screen in 1960. Taking on the role of the editor and director, he created a film that merely survived the censorship laws. In the course of making the film he broke all film conventions at the time by displaying its leading female having lunch inRead MoreAlfred Hitchcocks Psycho992 Words   |  4 PagesAlfred Hitchcock’s film â€Å"Psycho† created a tremendous impact on 60’s American films. Hitchcock powerfully describes the murder scene of Marion, while taking a shower at Bates Motel. Viewers and critics of the film believe that it is unconventional and overly violent for young viewers eyes, but some analysts think that it is a form of deconstruction, a new structure of horror film that Hitchcock wants to share. Different perspectives and ideas emerge because of the murder scene in the film, but still